Leisure: Aug 1, 2005 Art Appreciation Ain't Nothing
but plain ol' Scientific Observation
I'm sitting here reading a quip about Robert
Spitzer and his overhaul on Diagnostic
and Statistical Manual of Mental Disorders
(New Yorker, Jan 1, 2005) and it got
me thinking that the quality of reliability-
that is sort after by scientists and psychologists
-is somewhat akin to art connoisseurship.
Aside from a psychiatrist's task in diagnosing
what category a disorder falls under, s/he
has to determine whether or not the condition
is being faked.
There's no denying that it is art because
Marcel DuChamp said so, but I believe that
even before the era of the Dada-ist, artists
have been poking fun at and testing self-appointed
connoisseurs by throwing a piece of junk in
the mix, just to see if they'd catch it. It
was just that DuChamp had the audacity (and
great humor) to be the first to use a urinal.
A similar test has been conducted on many
self-proclaimed wine specialists in blindfold
tests.
But take this one step further and you'd
realize that more often than not, many of
us unquestioningly accept legitimacy the moment
we put one foot inside an art museum. No surprise
there, since the people who work with images
inevitably know the power of framing their
work effectively. If you look at a museum
as a frame for the works within it, then you'll
begin to understand why people never bothered
to look at a pile of junk they pass on their
way to work, but stop to admire and contemplate
the disposal nature of interchangeable parts
in the post-industrial advent of plastics
as a result of Dworkin-critical Freudian symbiotics
when that same pile reappears at a place like
the Museum of Modern Art, for example.
And before you get to the actual art work,
there is still a go-between frame. That's
the genius of branding. See a kitchen soup
ladle tied to a few spoons with some ropes,
you'd shrug and move on to the sunflowers.
See the word Picasso on the accompanying title
card, and you immediately nudge your mate
in the ribs and smirk, "Oi! It's that
guy who popped one for a 104 mil at Sotheby's
no?"
So I say this, when you go to a museum next,
look first, read later.
Because if it looks like something you put out twice a week, why not stay at home and catch some quality reality tv?
-Pristine Ann Gee